and Corporate clients often require expert information.
Designers need to communicate to costume makers in terms they understand. This
saves time and money. |
20 Opera Productions as the Costume and Set Designer. Thirty years in the Theatre
fabricating costumes and properties. I am well qualified to understand the needs
of both designers and makers. With the widest possible experience in the fabrication
of costumes and costume props, make-up and hair. I have a vocabulary that is based
on knowledge as a maker with the training of a stage designer.|
Gerald Scarfe I was his costume consultant for 'The Magic
Flute' in Los Angeles on two other productions for Sir Peter
Hall's Company in the West End, 'An Absolute Turkey' &
'Mind Millie for Me'
Oliver Award for Best Costume Designer: Gerald Scarfe for An Absolute
Scarfe web site link click here
Manning fitting Sir Donand Sinden with costume designer Lucy Hall for Sir
Peter Hall's production of Hamlet, 1994
consultant on four exhibitions at The Theatre Museum, three for the V & A
and one for The Royal Opera House.
of Porcelain Figures for The Museum of Costume , Bath. Various projects for the
Franklyn Mint Such as research, and design of all the Kings & Queens of England
For a series of pewter figures. |